Serif: Colombo Outline [STD]

With more than 80 fonts in more than 300 different sizes in its portfolio Hermann Ihlenburg perhaps is the most productive, classicists, and rarely for good any designer of all time.

PreussType offers them two on this page: Colombo Normal and Colombo Outline.

1843 in Berlin Ihlenburg was born interest in drawing and engraving very early in his childhood. He was recorded around the age of fourteen type foundry in Berlin as an apprentice in the Trowitzsch & son. He went shortly after the end of their apprenticeships to Dresden, later as engraver to Prague, where he began to work the Foundry as an engraver for the G. Haase. A year later he took up a post in three different foundries temporarily: Flinsch in Frankfurt/Main, the Battenburg Foundry (later Gustav Majeur) in Paris and the Foundry Basler in Berlin.

Here you find back to the style Normal .

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Whether it be the swee­ping eagle in his flight, or the open apple-blos­som, the toiling work-horse, the blithe swan, the bran­ching oak, the winding stream at its base, the drif­ting clouds, over all the cour­sing sun, form ever follows func­tion, and this is the law. Where func­tion does not change form does not change. The gra­nite rocks, the ever broo­ding hills, remain for ages; the light­ning lives, comes into shape, and dies in a twink­ling. It is the per­va­ding law of all things or­ga­nic and in­or­ga­nic, of all things phy­si­cal and me­ta­phy­si­cal, of all things hu­man and all things su­per­hu­man, of all true ma­ni­fes­ta­tions of the head, of the heart, of the soul, that the life is re­cog­ni­za­ble in its ex­press­ion, that form ever fol­lows func­tion. This is the law.

[Louis H. Sullivan; 1856 – 1924]