Typesetting for books, magazines or annual reports requires font families with special qualities: excellent readability, a generous range of weights with italics and small caps, multiple figure sets (lining, oldstyle, table) and ample language coverage.
Athanasius is such a font. The Baroque fonts are one of my passions. Whenever possible, I feel the old forms of glyphs and create a new, modern font with a touch of opulence of the Baroque.
Typography is a service. The art of doing so is above all the art of being able to largely ignore oneself, not to push oneself between author and reader. Writing is anonymous; she has her connoisseurs, but she has no audience.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z .
a b c d e f g h i j k l m n o p q r s t u v w x y z ,
1 2 3 4 5 6 8 7 9 0
But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure.
Cyrillic is unfortunately not available in this font.
Greek is unfortunately not available in this font.
Not all system or browser combinations will render text the same. Try to view on different combinations for a comprehensive test. The fonts used in the ‘Tryout’ may not contain all the glyphs of my fonts.