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Blackletter: Fleischmann Gotisch [STD]

Fleischmann Gotisch

The Fleischmann Gotisch has been proved to be one of the fonts, on which Fleischmann spent a good deal of his best effort; this font simply was near to his heart. Between 1744 and 1762 he created 13 different sizes of this font. All follow the same principles of forms, but their richness of details has been adapted to the particular sizes.

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Linear, thought-communicating typography is only a mediating emergency link between the content of the message and the receiving person.

[Laszlo Maholy-Nagy]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z . a b c d e f g h i j k l m n o p q r s t u v w x y z , 1 2 3 4 5 6 8 7 9 0
But I must explain to you how all this mis­taken idea of de­noun­cing plea­sure and prai­sing pain was born and I will give you a com­ple­te ac­count of the sys­tem, and ex­pound the ac­tu­al teach­ings of the great ex­plo­rer of the truth, the ma­ster buil­der of hu­man happ­iness. No one re­jects, dis­likes, or av­oids plea­sure it­self, be­cause it is plea­sure, but be­cause those who do not know how to pursue plea­sure ra­tio­nally en­coun­ter con­se­quen­ces that are ex­tre­me­ly pain­ful. Nor again is there any­one who lov­es or pur­sues or de­sires to ob­tain pain of it­self, be­cause it is pain, but be­cause occas­ional­ly ci­rcum­stan­ces occur in which toil and pain can pro­cure him some great plea­sure.
Cyrillic is unfortunately not available in this font.
Greek is unfortunately not available in this font.
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