German punchcutter Johann Carl Ludwig Prillwitz was a contemporary of Didot and Bodoni, but his work has remained one of the eras best kept secrets. He cut his first faces in 1790, even earlier than that other German classicist, Walbaum.
Prillwitz is simply a gorgeous revival. It is modest in scope it offers just Regular, Italic, and Bold but its beautifully made. It also offers various optical styles, optimized for different sizes: Normal, Book, and Display. Prillwitz Press, specially created for small-size newspaper use.
Typography is a service. The art of doing so is above all the art of being able to largely ignore oneself, not to push oneself between author and reader. Writing is anonymous; she has her connoisseurs, but she has no audience.
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But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but because occasionally circumstances occur in which toil and pain can procure him some great pleasure.
Cyrillic is unfortunately not available in this font.
Greek is unfortunately not available in this font.
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